Rafael Lozano-Hemmer

Rafael Lozano-Hemmer - Synaptic Caguamas Subsculpture 4 Rafael Lozano-Hemmer - 1000 Platitudes Rafael Lozano-Hemmer - Homographies

Biography

1967
Born in Mexico City
1989
Received a B.Sc. in Physical Chemistry from Concordia University in Montreal, Canada

Exhibitions

2007
  • Venice Biennale, Mexican National Representation, Palazzo Soranzo Van Axel (June – Nov.)
  • LuminaTO, TD Centre (Mies Van der Rohe lobby), Toronto, Canada (June 1 – June 10)
  • Huge, Artcore / Fabrice Marcolini, Toronto (March – April)
  • "Subtitled Public", Cultural Capital of Europe (curator: Jeffrey Shaw), Luxembourg
2006
  • "33 Questions per Minute, Relational Architecture No. 5", Armory Show, NY 2006
  • "Body Movies, Relational Architecture No.6", Avenue of the Stars, Hong Kong, November
  • "Glories of Accounting, Subsculpture 5", Pre-Emptive (curator: Philippe Pirotte), Kunsthalle Bern, August
  • "Homographies, Subsculpture 7", Sydney Biennale (curator: Charles Merewether), Art Gallery of New South Wales, June
  • "Entanglement, Subsculpture 6", Volta, Guy Bärtschi, Basel, June
  • "Under Scan, Relational Architecture 11", Leicester: Humberstone Gate West, March
  • "Under Scan, Relational Architecture 11", Northampton: Market Square, March
  • "Amodal Suspension, Relational Architecture No. 8", Caleidoscopios (curator: Gustavo Romano), Centro Cultural de España en Buenos Aires, Argentina, March (site)
  • "Under Scan, Relational Architecture 11", Derby: Market Square, February to March
  • "Entanglement, Subsculpture 6", ARCO, bitforms gallery, Madrid, February
  • "Literal Intervention", Comunidad de Madrid (curator: Berta Sichel), ARCO, February
  • "1000 Platitudes / 1000 Usos Tópicos", ARCO, OMR Gallery, Madrid, February
  • "Under Scan, Relational Architecture 11", Nottingham: Castle Wharf, January
2005
  • "33 Questions per Minute, Relational Architecture No. 5", Spots Mediafaçade, with realities : united, Postdamer Platz 10, Berlin, December 2005 - January 2006
  • "Literal Intervention", Scrabble (curator: Álvaro Rodriguez Fominaya), Centro Atlántico de Arte Moderno, Las Palmas, November 2005 to January 2006
  • "33 Questions per Minute, Relational Architecture No. 5", Scrabble (curator : Álvaro Rodriguez Fominaya), Centro Atlántico de Arte Moderno, Las Palmas, November 2005 to January 2006 (projection)
  • "Entanglement, Subsculpture 6", Dataspace (curator: Priamo Lozada), Laboratorio Alameda, Mexico, December
  • "Entanglement, Subsculpture 6", Art Basel Miami, OMR Gallery, December
  • "Under Scan, Relational Architecture 11", Large scale public art commission for East Midlands Development Agency Lincoln: Brayford University Campus, November to December
  • "Entanglement, Subsculpture 6", Guy Bärtschi, Geneva, November
  • "Glories of Accounting, Subsculpture 5", Guy Bärtschi, Geneva, November
  • "Synaptic Caguamas, Subsculpture 4", Guy Bärtschi, Geneva, November
  • "Inspired by Real Events", Guy Bärtschi, Geneva, November
  • "Standards and Double Standards, Subsculpture 3", Guy Bärtschi, Geneva, November
  • "1000 Platitudes / 1000 Usos Tópicos", Guy Bärtschi, Geneva, November
  • "33 Questions per Minute, Realtional Architecture No. 5", Guy Bärtschi, Geneva, November
  • "Airport Cluster", Art Cologne, Galería Metropolitana, Cologne, October
  • "1000 Platitudes / 1000 Usos Tópicos", bitforms gallery Seoul, September
  • "1000 Platitudes / 1000 Usos Tópicos", Art Basel, OMR Gallery, June
  • "Surface Tension" interactive eye, Art Basel, OMR Gallery, Basel, June
  • "Frequency and Volume, Relational Architecture No.9", Musée d'Art Contemporain, Elektra Festival (curator: Alain Thibault). Montréal, Québec, May
  • "33 Questions per Minute, Relational Architecture No. 5", Centro cultural de España, Mexico, May (projection)
  • "33 Questions per Minute, Relational Architecture No. 5", MUSAC, Léon (curators: Augustín Pérez Rubio and Rafael Doctor), May
  • "Subtitled Public", Sala de Arte Público Siqueiros (curators: Itala Schmeltz, Jennifer Teets), Mexico City, April-May
  • "1000 Platitudes / 1000 Usos Tópicos", Art Brussels, Guy Bärtschi Gallery, April
  • "Subtitled Public", Dataspace Exhibition (curator: Priamo Lozada), Conde Duque Art Center, Madrid, February-March
  • "Frequency and Volume, Relational Architecture No.9", ICC, Art Meets Media (curator: Fumihiko Sumitomo), Tokyo, Japan, January-March
  • "Glories of Accounting, Subsculpture 5", ARCO Black Box (curator: Mark Tribe), bitforms gallery, Madrid, February
  • "Synaptic Caguamas, Subsculpture 4", ARCO, OMR Gallery, Madrid, February
  • "Inspired by Real Events", ARCO, bitforms gallery, February
  • "Surface Tension" interactive eye, ARCO, OMR Gallery, Madrid, February
2004
  • "Literal Intervention", Salón Bancomer (curators: José Luis Barrios, José Manuel Springer and Sylvia Navarrete), Museum of Modern Art, Mexico City, November 2004 to February 2005
  • "33 Questions per Minute, Relation Architecture No. 5", ZKM, Algorithmic Revolution (curators: Peter Weibel, Sabine Himmelsbach and others), Karlsruhe, October 2004 to November 2005
  • "Synaptic Caguamas, Subsculpture 4", Art Basel Miami, OMR Gallery, December
  • "Surface Tension" interactive eye, OMR Gallery, Mexico City, November to December
  • "Synaptic Caguamas, Subsculpture 4", OMR Gallery, Mexico City, November to December
  • "Inspired by Real Events", OMR Gallery, Mexico City, November to December
  • "Literal Intervention", LOOP, Galería Metropolitana, Barcelona, November
  • "Standards and Double Standards, Subscultpure 3", Shanghai Biennial, Shanghai Art Museum (curators : Xu Juian, Sebastián López, Shengtian Zheng and Zhang Qing), China, October-November 2004
  • "1000 Platitudes / 1000 Usos Tópicos", Art Cologne, bitforms gallery, October
  • "33 Questions per Minute, Relation Architecture No. 5", SAT, Montréal, September (projection)
  • "Frequency and volume, Relational Architecture No. 9", Navigator Exhibition, National Taiwan Musuem of Fine Arts (curator: Jun-Jieh Wang), Taichung, Taiwan, July-September
  • "Standards and Double Standards, Subscultpure 3", Art Basel 35, Unlimited, OMR Gallery, Basel, Switzerland, June
  • "Sitestepper, Relational Architecture No. 10", LA MOCA Digital Gallery (curators: Alma Ruiz and Lisa Mark), Los Angeles, June
  • "33 Questions per Minute, Relation Architecture No. 5", Art Basel, Galeria OMR, Basel, June
  • "Vectorial Elevations, Relational Architecture No. 4", EU expansion celebrations, O'Connell Street, Dublin, Ireland, April-May 2004
  • "1000 Platitudes / 1000 Usos Tópicos", ARCO, OMR Gallery, Madrid, February
  • "33 Questions per Minute, Relation Architecture No. 5", ARCO, Galeria OMR, Madrid, February
2003
  • "Vectorial Elevation, Relational Architecture No. 4", Fête des Lumières, Place Bellecour, (curator: Claire Peillod), Lyon, France, December
  • "33 Questions per Minute, Relation Architecture No. 5", Art Basel Miami, OMR Gallery, Miami, December
  • "1000 Platitudes / 1000 Usos Tópicos", Art Basel Miami, OMR Gallery, Miami, December
  • "Amodal Suspension, Relational Architecture No. 8", Opening oproject of the Yamaguchi Center for Art ans Media (curators: Yukiko Shikata and Kazunao Abe), Yamaguchi, Japan, November
  • "Literal Intervention", Paris Photo, Statement Project Room (curator: Daniela Franco), Paris, November
  • "Body Movies, Relational Architecture No. 6", Open, new Designs for Open Space, Van Alen Institute, New York, June-October (Photos)
  • "1000 Platitudes / 1000 Usos Tópicos", Fundación Bancaja, The Radiant City Exhibition (curator: Achille Bonito Olivia), Valencia, Spain, June to August
  • "Frequency and Volume, Relational Architecture No. 9", Laboratorio Arte Alameda (curator: Priamo Lozada),Mexico City, May-June
  • "Body Movies, Relational Architecture No. 6", Duisburg Akzente, Duisburg, Germany, May
  • "1000 Platitudes / 1000 Usos Tópicos", bitforms gallery (curator) Steve Sacks), NYC, April to May
  • "33 Questions per Minute, Relation Architecture No. 5", bitforms gallery (curator: Steve Sacks), NYC, April to May
  • "Vectorial Elevation, Relational architecture No. 4", Wood Street Gallery, Critical Conditions (curator: Timothy Druckrey), Pittsburgh, March to May 2003 (documentary installation)
  • "33 Questions per Minute, Relation Architecture No. 5", Dundee Contemporary Art, III Communication (curator: Rob tufnell), Dundee, Scotland, January to March
2002
  • "Body Movies, Relational Architecture No. 6", E-phos Festival, Athens, Greece, October (video)
  • "Vectorial Elevation, Relational architecture No. 4", Observatori, Resonancias (curator: Nekane Aramburu), Valencia, October (web)
  • "Two Origins, Relational Architecture No. 7", Place du Capitole, Printemps de Septembre Festival (curator: Marta Gili), Toulouse, September
  • "Body Movies, Relational Architecture No. 6", Liverpool Biennal, Produced by FACT (curators: Eddie Berg, Jo McGonigal, et.al.), Liverpool, UK, September
  • "Body Movies, Relational Architecture No. 6", Ars Electronica Festival (curator: Gerfried Stocker), Linz, Austria, September
  • "Body Movies, Relational Architecture No. 6", SAPPHIRE 02, Lisbon, Portugal, September
  • "33 Questions per Minute, Relation Architecture No. 5", Itau Cultural, Emoçao Art.ficial, Sao Paulo, Brazil, August
  • "Body Movies, Relational Architecture No. 6", 6th International Festival for Architecture in Video, Florence, Italy, May (video)
  • "33 Questions per Minute, Relation Architecture No. 5", Conde Duque, Cibervisón 2 (curator: Karin Ohlenschläger), Madrid, Spain, March
  • "Vectorial Elevation, Relational architecture No. 4", Opening of Artium, Basque
  • Contemporary Art Museum (curator: Juan Guardiola and Javier González de Durana), Vitoria-Gasteiz, Spain, April
2001
  • "33 Questions per Minute, Relation Architecture No. 5", Istanbul Biennial (curator: Yuko Hasegawa), Turkey, September
  • "Body Movies, Relational Architecture No. 6", Cultural Capital of Europe Festival, V2 Grounding (curators: Alex Adriaansens and Andreas Broeckmann), Rotterdam, Netherlands, August
  • "Vectorial Elevation, Relational Architecture No. 4", Ifema, MAD01 (curator: Karin Ohlenschläger), Madrid, August (documentary installation)
  • "Vectorial Elevation, Relational Architecture No. 4", Tokyo Metropolitan Museum of Photography, Tokyo, Japan, March (web site)
  • "Vectorial Elevation, Relational Architecture No. 4", Museo de Arte Contemporaneo, Interactiva00 (curator: Raúl Ferrera-Balanquet), Mérida, Mexico, March (website)
  • "Vectorial Elevation, Relational Architecture No. 4", ARCO Art Fair, Net.artmadrid (curator: José Luis Brea), Madrid, February (website)
  • "Airport Cluster", Foto/Graphik, Galerie Kaethe Kollwitz (curator: Pat Binder), Berlin, February
2000
  • "Vectorial Elevation, Relational Architecture No. 4", Int. Festival for Architecture in Video, University of Florence, Italy, December (video)
  • "33 Questions per Minute, Relation Architecture No. 5", Bienal de la Habana (curator: Ibis Hernández, Magda González, et.al.), Havana, Cuba, November
  • "Vectorial Elevation, Relational Architecture No. 4", Fournos Center, Mediaterra 2000 (curator: Priamo Lozada), Athens, Greece, November (documentary installation)
  • "Vectorial Elevation, Relational Architecture No. 4", Splitski Filmski Festival, Split, Croatia, September (website)
  • "Vectorial Elevation, Relational Architecture No. 4", Ars Electronica Festival, OK Center, Linz, Austria, September (documentary installation)
  • "Vectorial Elevation, Relational Architecture No. 4", Musuem of Image and Sound, File, São Paulo, Brazil, August to September (website)
  • "Vectorial Elevation, Relational Architecture No. 4", Sala d'Exposicions de la Caixa de Sabadell, May (website)
  • "The Able Skin" Immersive VR installation with robotic lighting, featuring impossible architecture by Emilio López-Galiacho. Next Festival, Karlstad, Sweden, March
1999
  • "Vectorial Elevation, Relational Architecture No. 4", Zócalo Square, Mexico City, December 1999 to January 2000
  • "The Trace, Remote Insinuated Presence" telepresence installation where two remote participants are invited to occupy the same telematic space. Musée des Beaux Arts, Yo y mi Circunstancia (curators: Paloma Porraz and Guillermo Santamarina), Montréal, November 1999 - February 2000
  • "Re: Positioning Fear, Relational Architecture No. 3", Interactive Urban Landscapes, Copenhagen, Denmark, December (video
  • "The Able Skin" Immersive VR installation with robotic lighting, featuring impossible architecture by Emilio López-Galiacho. Art Futura, Sevilla, October
1998
  • "Re: Positioning Fear, Relational Architecture No. 3", Image architettura in movimento, Turin, Italy, December 1998 (video)
  • "Re: Positioning Fear, Relational Architecture No. 3", Festival de Navarra, Pamplona, Spain, November (website)
  • "Re: Positioning Fear, Relational Architecture No. 3", Viper 98 webart selection, Lucerne, Switzerland, May (website)
  • "Re: Positioning Fear, Relational Architecture No. 3", Lo Mejor de los dos Mundos (curator: José Luis Brea), Cuenca, Spain, February (website)
1997
  • "The Able Skin" Immersive VR installation with robotic lighting, featuring impossible architecture by Emilio López-Galiacho. Museo de Monterrey, Arte Virtual, Realidad Plural (curator: Karin Ohlenschläger), Monterrey, Mexico, November 1997 to January 1998
  • "Re: Positioning Fear, Relational Architecture No. 3", 3rd Internationale Biennale Film + Architektur (curator: Charlotte Pöchacker), Graz, Austria, November
  • "Displaced Emperors, Relational Architecture No. 2", Ars Electronica Festival, Remote Sensations (curator: Gerfried Stocker), Linz, Austria, September
  • "The Able Skin" Immersive VR installation with robotic lighting, featuring impossible architecture by Emilio López-Galiacho.
  • MOPU, Festival Internacional de Info-arquitectura (curator: Karin Ohlenschläger), Madrid, February
1996
  • "The Able Skin" Immersive VR installation with robotic lighting, featuring impossible architecture by Emilio López-Galiacho. Apple Computer, Cupertino, California, November
  • "Idle Hands" installation of a large interactive human hand, featuring interactive music by Steve Gibson. Nova Scotia Community College, Halifax, Canada, May
  • "The Trace, Remote Insinuated Presence" telepresence installation where two remote participants are invited to occupy the same telematic space. Actual '96, Logroño, Spain, January (video)
1995
  • "Idle Hands" installation of a large interactive human hand, featuring interactive music by Steve Gibson. European Media Art Festival in Osnabrück, Germany, September
  • "The Trace, Remote Insinuated Presence" telepresence installation where two remote participants are invited to occupy the same telematic space. Theatre, Music, Dance and New Technologies. Torino, Italy, June (video)
  • "The External Interior (Interactive Spectator)"touch-screen multimedia installation, where the roles of the spectator and the multimedia program are reversed. Ex-caotica group show, Galeria Cruce, Madrid, June
  • "Idle Hands" installation of a large interactive human hand, featuring interactive music by Steve Gibson. Forskningscentrum fur Informatik. Univ. of Karlstad, Sweden, May
  • "The Trace, Remote Insinuated Presence" telepresence installation where two remote participants are invited to occupy the same telematic space. Museo Nacional Reina Sofia, Infografía en España series (curator: Karin Ohlenschläger), Madrid, April (video)
  • "The Trace, Remote Insinuated Presence" telepresence installation where two remote participants are invited to occupy the same telematic space. ARCO '95 Art Fair, Fundacion Arte y Tecnologia (curator: Laila Ichikawa), Madrid, February
1993
  • "Surface Tension" interactive eye, Akademie der Bildenden Kunste, Nuremberg, Germany, November
  • "Surface Tension" interactive eye, Tomorrow's Realities. SIGGRAPH '93, Anaheim, California, August
  • "Superficial Manifesto" multimedia piece with several interactive modules, En-red-arte, Circula de Bellas Artes, Madrid, June
  • "Surface Tension" interactive eye, 2!M VR Exhibition, Comunidad de Madrid, Madrid, April
  • "Superficial Manifesto" multimedia piece with several interactive modules, ARCO '93 Art Fair, Videoarco, Madrid, February
1992
  • "History is a Rolodex" Photo Installation, Memoires Vives group show, Infographie Canada, Montréal, May
  • "On the Same Hand but in a Different Vein" solo show with 4 installations, Galerie Stornaway, Montréal, February
1990
  • "The Dancers Answer Questions" video-campfire installation at dusk, Banff National Park, Alberta, Canada, June

Exhibition (other)

Lectures and Presentations

2006
  • ICC, Tokyo
  • Art Gallery of NSW, Sydney
  • Bartlett School of Architecture, London
  • Goldsmiths College, London
  • Logo Parc, Amsterdam
  • Guggenheim Museum, NYC
  • Concordia University, Montreal
  • Q-Arts, Derby
2005
  • School of Architecture, University of London
  • Phoenix Arts, Leicester
  • Broadway, Notthingham
  • Metro Cinema, Derby
  • Avenue Campus, Northampton
  • Loopholes Symposium, Harvard University
  • SAPS, Mexico City
  • Kodak Lecture, Ryerson, Toronto
  • IVF, Victoria
  • ICC Tokyo
2004
  • Media Space, Stuttgart
  • Udla symposium, Puebla
  • Fundación Telefónica, Madrid
  • Carlos III, Madrid
  • CITRU, CNA, Mexico D.F.
  • SAT, Montréal
  • IDCA, Aspen
  • MICA, Baltimore
  • LMCC, New York
2003
  • Royal College of Arts, Stockholm
  • Yamaguchi Center for Arts and Media, Yamaguchi
  • FCMM, Montréal
  • Canadian Embassy, Tokyo
  • Laboratorio Arte Alameda, Mexico City
  • Making Art of Databases, V2_Organisatie, Rotterdam
  • California Science Center, Los Angeles
  • Museum of Fine Arts, Boston
  • Digifest, Toronto
  • Emily Carr Institute of Art and Design / UBC, Vancouver
  • ARCO, Madrid
2002
  • Bauhaus, Dessau
  • MIT MediaLab, Cambridge
  • National Research Council of Canada, IMI Montréal and IRC Ottawa
  • Prix Ars Electronica Forum, Linz
  • Arts International, Rhizome blender, NYC
  • Museums as Media Symposium, Guggenheim Museum, NYC
  • Subtle Technologies conference, U. of Toronto
  • UCLA, Art departement, Los Angeles
  • LA MOCA, Art in Motion lecture series, Los Angeles
2001
  • Transurbanism Symposium, Netherlands Architecture Institute, V2, Rotterdam
  • Interventions Symposium, National Museum of Photography, Bradford
  • Istanbul Biennal, Istanbul
  • Ars Electronica Festival, Engineers of Experience, Linz
  • Yamaguchi Center for Arts and Media Yamaguchi
  • Wxner Center, Media Arts and Culture Colloquium, Ohio
  • School of Art Institute of Chicago
  • Art, Technology and Culture Colloquium, UC Berkeley
  • Santa Rosa College, Santa Roas CA,
  • Trasnsmediale, Berlin
2000
  • Center for Arts and Humanities, SUNY, Albany, NY
  • Prix Ars Electronica Forum, Linz
  • Next Conference, Karlstad, Sweden
1999
  • Conseko de la artes de Nuevo Leon, Monterrey, Mexico
1998
  • Dutch Electronic Art Festival, Rotterdam, Netherlands
  • Virtual Museum Symposium, Arch Foudation, Salzburg, Austria
  • Viper 98, Webart selection, Lucerne, Switzerland
  • Universidad de Granada, Granada
  • In Art Festival, Tenerife
  • Imagina 98, La Sense du Numerique, Monaco
1997
  • Jornadas El Objeto Inmaterial, Trasforma, Vitoria
  • IATM conference, Keynote speaker, Palcio de Correos, Madrid
  • Seminario "Conocimiento del Arte", Residencia de Estudiantes, Madrid
1996
  • Festival Soanr 96, Barcelona
  • Seminario de Paul Hertz, Politécnico, Valencia
  • Seminario Civerarte, Fundación CAM, Alicante, Valencia & Murcia
  • ARCO 96 Art Fair, Madrid
  • Milia 96, Cannes
1995
  • Ciber-ría 95 Festival, Bilbao
  • Art Futura 95 Festival. Madrid
  • Jonadas Sobre Arte y Comunicación Multimedia, Politécnico, Valencia
  • Learning in Networks Conference, University of Karlstad, Sweden
  • U.N.A.M. Department of Art, Mexico City
  • Tecnológico de Monterrey, Department of Communications, Monterrey
1994
  • Fundacion Arte y Tecnología de Telefónica, Madrid
  • U.A.M. Azcapotzalco, Department of Design, Mexico City
  • Consejo de Ciencia y Tecnología CONACYT, Mexico City
  • Museo de Antropología, Mexico City
1993
  • ARCO 93 Art Fair, Madrid
  • Concordia University, Department of Design, Montréal
  • Canadian Studies Association, Pamplona
  • Concordia University, Communications Department, Montréal
1992
  • Oboro Gallery, Montréal
  • York University, Social and Political Theory Department, Toronto
  • Ontario College of Art, Media Arts Department, Toronto

Performance Art

1994
  • Technological Contemporary Dance with Transition State Theory: X'Teresa Arte Alternativo, Mexico City, November
1993
  • Technological Contemporary Dance with Transition State Theory: Akademie der Bildenden Kunstem Nuremberg, Germany, November
  • SIGGRAPH '93 Festival, Anaheim, California, August
  • Circulo de Bellas Artes, Sala de Columnas, Madrid, June
1992
  • Performances with Dick Higgins: Storm Riders hörspiel, Danish State Radio, October
  • Technological Theatres with PoMo CoMO: Ars Electronica Festival, Linz, Austria, June
1991
  • Technological Theatres with PoMo CoMo: Experimental Intermedia, New York, December
  • Artscourt, Ottawa, November
  • Festival du théâtre à risque, Musée du Québec, November
  • Le Musée d'art contemporain de Montréal, October
  • The Music Gallery, Toronto, September
1990
  • Performances with Dick Higgins:
  • Alberta College of Art, several short Fluxus pieces, October
  • Banff Center, The City that Could performance, September
  • Technological Theatres with PoMo CoMo: Hallwalls Gallery Vault, Buffalo, NY, May
1988
  • Technological Theatres PoMo CoMo:
  • Articule Gallery, Montréal, July
  • Université Laval, Learneds Conferences, Québec, May
  • York University, Strategies of Critique, Toronto, March

Radio And Radio Art

1992
Co-host and producer of "The Postmodern Commotion", a weekly radio program, CKUT 90.3 FM, Montréal, 1987 - 1992
1991
"Read my Blips" electroacoustic music piece. International Radio Conference, McGill University, Montréal, July
1990
  • "Hysterical Male" radio art piece.
  • Accompanying the book of the same name by Arthur and Marilouise Kroker, St. Martin's Press, New York, December
  • Radia 89.9 FM, Radio station manager Banff Center, Alberta, May-November
  • "Becoming Nobody" eclectroacoustic music piece CBC Radio, Printemps Electroacoustique, Montréal, April
  • SAW Gallery, Radio Art Exhibition, Ottawa, June
1989
"Panic Encyclopedia Cassette", co-creator with Arthur and Marilouise Kroker. New World Perspectives, Montréal, August

Other Activities

Co-Creator and organizer, "Life x.0" International art and a-life competition, Madrid, 1998-ongoing. Sponsored by the Telefónica Foundation
International Advisory Committee, Inter-Society for the Electronic Arts, ISEA, ongoing
2005
  • Jury Member, Leonard Artnodes, Barcelona
  • Jury Member, Transitios_MX festival, Mexico
2004
Jury Member, Fusedspace competition, Netherlands
2003
  • Research and Creativity Comittee, Hexagram, Montréal
  • Jury Member, Latinamerican Experimental Hypermedia Center, Buenos Aires
2001
  • Living in Mixed Realities, GMD conference, International Committe, Bonn
  • Jury Member, Fondation Daniel Langlois, Montréal
1998
"System for 3D tracking of a remote point" International Patent, with Will Bauer, WIPO #9814798A1, January
1996
Chair and co-organizer, 5th International Conference on Cyberspace "5Cyberconf", Madrid June 96, Sponsored by the Art and Technology Foundation
1995
  • Corresponding Editor, Multimedia Graphics I, Book produced by Mediamatic Interactive Publishing, Amsterdam
  • Prix Milia d'Or, Grand Jury, Cannes, France, January
1994
"Arte Virtual, 12 Propuestas de Arte Reactivo", curator, Madrid, May
1993
Video ARCO '93, jury member, Madrid, Ferbruary

Grants And Prizes

2005
BAFTA British Academy Award for Interactive Art 2005, London, UK
2003
  • Trophée des Lumières, Lyon
  • Best Interactive Installation, HorizonZero, Banff, Canada
  • World Technology Network Award for the Arts, San Francisco
  • Rockfeller-Ford Fellowship, New York
  • Production grant from the Daniel Langlois Foundation, Montréal
  • Artist/Performer of the year, Wired Magazine Rave Awards, San Francisco
  • Foreign Affairs ACA Grant, Canada
2002
  • International Bauhaus Award 2002, 1st Prize, Dessau, Germany
  • BAFTA British Academy Award for Interactive Art 2002, London, UK
  • Gold Award, Interactive Media Design Review 2002, I.D. Magazine, USA
  • Ars Electronica 2002, Interactive Art Distinction, Linz, Austria
2001
Media Arts Grant, Canada Council for the Arts
2000
  • Excellence Award, Media Arts Festivals 2000, CG Arts, Tokyo, Japan
  • Medienkunstpreis 2000, Finalist, ZKM, Karlsruhe
  • Ars Electronica 2000, Interactive Art Golden Nica, Linz, Austria
  • SFMOMA Webby Awards 2000, Distinction, San Francisco
1998
Ars Electronica 1998, Interactive Art Honorable Mention,. Linz, Austria
1996
Interactive Digital Media Awards 1996, Best Intallation, Toronto, Canada
1995
  • Cyberstar, 2nd Prize, Köln, Germany, June
  • Ars Electronica 1995, Interactive Art Honorable Mention, Linz, Austria
1994
Canada Council Computer Integrated Media Grant
1993
ICEX España, Travel Grant Communications Canada, Equipment Grant
1992
External Affairs Canada, Travel Grant
1991
  • Canada Council Touring Office Grant
  • Canadian Consulate Grant, New York
  • Ministère des Affaires Culturelles du Québec, bourse circulation
1990
Canada Council Computer Integrated Media Grant